Showreel
Introductions different languages
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Credits
Television
Film
Stage
Audio
Other
Education
About
Appearance | African-American, Caribbean, Caucasian, Central European, Scandinavian, Slavic / Eastern European, White
Playing Age | 50 - 65
Height | 163
Physique | Curvy
Eye Colour | Brown-Green
Vocal Pitch / Dubbing Voice | Alto
Skills
Languages
Native:
Swedish
High Standard:
Dance
Highly Skilled:
Burlesque, Contemporary modern, tango, Cancan
Sports
Highly Skilled:
Aerobics
Skilled:
Acting Techniques
Highly Skilled:
clown, Method Acting
Skilled:
Other Skills
Highly Skilled:
Alexander Technique, Artistic Director
Skilled:
Driving Licences
Driver's licence car (automatic), Driver's licence car (stick)
AWARDS and NOMINATIONS
Stipendier och bidrag Konstnärsnämnden /
The Swedish Arts Grants Committee:
2022 Krisstipendium inom Teater
2021 Krisstipendium inom Teater
2017 Svenska Kyrkans kulturstipendium
2016 Internationellt Kulturutbyte
2013 Projektbidrag
2009 Arbetsstipendium
2009 Dramatiker Utskottet
2009 Projektbidrag
2007 Arbetsstipendium
2007 Projektbidrag
2007 Arbetsstipendium
2007 Judiska Kulturkommittén
2005 Rese Stipendium
2003 Internationellt kulturutbyte
2002 Projekt Bidrag
1997 Arbetsstipendium
1995 Arbetsstipendium
1993 Arbetsstipendium
1989 Resestipendium
Kulturrådet / Swedish Arts Council
Projektbidrag för fölljande produktioner/ Project grans for produktion
2021 Jag ljuger hela tiden
2017 Moderland/ Röda Rummet
2013 Självbilder
2010 Syskonkärlek
2009 MAMMA
2007 Living Room/ Identitet
2004 PAPPA
2002 Kärlek
Stockholm Stad Kultur för produktionerna:
2017 Moderland/ Röda Rummet
2013 Självbilder
2010 Syskonkärlek
2010 Andra Generationen
2009 MAMMA
2007 Living Room/ Identitet
2004 PAPPA
2002 Kärlek
Forum För levande Historia:
Andra Generationen
Ungdomsstyrelsen:
Det Faller en Dröm, pedagogiskt filmprojekt för ungdomar i Rinkeby
Ideér för Livet Scandia:
Det Faller en Dröm, pedagogiskt filmprojekt för ungdomar i Rinkeby
Framtidens Kultur
Identitet/ Living Room
Biography
I am a stage artist and producer educated at Danshögskolan and Teaterhögskolan in Stockholm, now called UNIARTS since 1982. The teacher was Stanislav Brosowski, founder of Mime education. His method was my point of departure from where I have learned various performative practices. I move professionally between mime, dance, acting, choreographing, directing, writing, dramaturgy, coaching and producing. During the mime education the whole class worked in parallel at the Royal Opera and Dramaten, Sweden’s national scen for theatre, where Stanislav Brosowski was the choreographer.
During the Master program New Performative Practices 2011-2013 I began to make tailor- made lecture-performances on the topic of shame. In this period, I manufactured video art, and visual art objects that choreographed curiosity. During my artistic research, in the master program at UNIARTS, it became clear to me how methods and practices embed history and ideological values and therefore should be critically reviewed.
In the last years I have done acting, two monologs with extensive text. The Red room, by August Strindberg, directed by Anna Wallander at Strindbergs Intima Teater, under the tutorship of PHD Anna Petterson and the play ‘Wilhelm Edstetd, Karolin och man’ a crossdressing piece at Hamn Museum with the director Voula Kereklidou.
Right now I’m writing Mispoche a play about two secondgeneration siblings of two Holocaust survivors, they try to avoid the topic of their childhood while they pack up the childhood home. Their parents passed away. Opening for the show is planed October 2024 at The Swedish
