Davoud Rastgou - G Actors Agency

Photo | Maxim Vinciguerra

Click individual gallery images to download

Credits

Television

Tehran
Guest Star
Donna & Shultz / Daniel Syrkin

Film

Last Swim
Supporting
Campbell Beaton / Sasha Nathwani
Persistence
Supporting
Balck Bulldog Productiond / Leo De Haan
Two Seas
Supporting Lead
Matadore Production / Orlando Cubitt
For A Moment Freedom
Supporting
Wega Film / Arash Riahi
It's A Free World
Supporting
Sixteen Films / Ken Loach
The Calligrapher
Lead
LFA / Jess Brownrigg
Broken
Lead
LCC / Jonathan Higgs

Education

Demidov Immersion
London Demidov Studio
Andre
Lee Strasberg Method
London Method Acting
Sam Rumbelow
Acting Advanced
The Arts Ed School -London
MTT
Acting Foundation
Morley College/London
Amanda Brennan
Acting Foundation
S.E.T./Stockholm
Tomacz Neuman

About

Appearance | Arabic, Middle Eastern, North African, Pakistani

Playing Age | 48 - 60

Height | 175

Physique | Medium build

Eye Colour | Brown

Vocal Pitch / Dubbing Voice | Bass

Skills

Languages

Native:

English, Farsi, Swedish, Persian

Accents & Dialects

Native:

Persian

Sports

Skilled:

Table tennis

Acting Techniques

Highly Skilled:

Strasberg Method

Skilled:

Demidov Technique

Other Skills

Highly Skilled:

Professional Health Care

Skilled:

Botulium Toxin Injection

AWARDS and NOMINATIONS

Awards granted to these productions which Davoud has collaborated with:
1. Ken Loach, It's A Free World, 2009 Italy, Golden Lion, Venice Film Festival
2.For A Moment, Freedom; Nominee academy award 2010, foreign film category
3. TEHRAN, 2021 Int Emmy Award, Best Drama Series

Biography

He was born in Tehran/Iran, where he grew up until 19, when he went into exile in Sweden following the 1979 Islamic Revolution.

Davoud started at local radio by writing radio plays for adults and children and joined the amateur theatre Pegasus in Gävle/Sweden, where he studied his BSc in nursing sciences and cultural paedagogic as well as media sciences while appearing in plays about Swedish labour movements such as The Great Spectacle of The Train. He later moved to Uppsala, starting his professional gig at Theatre Da Capo in Uppsala. He then transitioned to Stockholm, where he took a year-intensive foundation course in acting.

Due to what he calls “the ethnically conservative Swedish cultural climate” that would do training within Swedish drama schools for those born and growing up abroad tricky at that time, Davoud went to train in the UK, initially at the Arts Ed, following the 9-11 events that contributed to a hostile and bullying atmosphere by some pupils there, although not many but as always the worsts impact loudest. This, plus the language barrier challenges for a new commer led that Davoud, following consultation from his tutors, attended at then Kensington / Chelsea Colleg at Wornington Centre(Nowadays Morley College) under the tutorial of Amanda Brennan, currently head of MA Acting at CSSD. Brennan’s down-to-earth and open-hearted approach contributed to establishing his linguistical ability. During the same training, he met Sam Rumbelow during an open lecture, who later became his tutor in the Lee Strasberg method for four years.

Davoud has started to explore Demidov’s theories, which have revolutionized his understanding of everything he had learned earlier.